After a space rock impact, space traveler Plants (Adam Driver) crash lands on The planet — quite a while back. Mills must navigate the prehistoric world and fight off dinosaurs with the only other survivor, a young girl named Koa (Greenblatt), in order to escape to safety.


It's surprising that Hollywood hasn't embraced dinosaurs more, given that they were the subject of the movie Jurassic Park, which was once the biggest box office hit in history. It seems like a win for blockbuster filmmakers looking for some paleontological pleasures at the movie theater to bring the wildest dreams of young children to life. They were once alive in the cinematic imagination thanks to special effects masters like Phil Tippett and Ray Harryhausen; however, big-screen dinosaurs are no longer common, with the exception of the ongoing Jurassic Park series.

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Finally, Scott Beck and Bryan Woods' dino disaster movie is here. Similar to their script for A Quiet Place, this one has a simple but effective sci-fi premise: What if, 65 million years ago, at the end of the Cretaceous Period, a spaceman from another planet landed on our planet? It's a fundamental idea that reframes dinosaurs as deadly, terrifying aliens rather than the terrifying lizards of wonder that captivated young minds in science classes.

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This is an extremely clear, productive sort of blockbuster. Adam Driver's Mills crashes lands on Earth in ten minutes following some rather gloopy exposition back on his home planet that establishes him as a standard-issue Sad Dad. This area has so little fat that it looks almost like bone: There are only four speaking roles—one of which does not even speak English—excluding the prehistoric beasties. That would be Koa (Ariana Greenblatt), Mills' other survivor who swiftly assumed the role of surrogate daughter for his real one, who is afflicted with an unknown condition that we will refer to as "Character Motivation Syndrome."


65 is not groundbreaking. Nevertheless, it is a brief, sharp, and largely original studio film.


There are faint echoes of Planet of the Apes in the spaceman falling to a planet that turns out to be ours setup, but Beck and Woods aren't particularly interested in making any kind of satirical commentary on our world, past or present. Rather the film staggers into a lean class work out, a survivalist thrill ride that infrequently draws from the producers' shock foundation. Prehistoric nature's sheer hostility means danger is always lurking, and the experience is always stressful.


It works pretty much as you would expect: There are issues that must be resolved; there is an excursion requiring the characters to get from A to B; Between those two points, the occasional Tyrannosaurus rex is unhelpful. Even though, sorry, paleontologists, the dinosaurs are amusing and terrifying, Even though there are plot holes that look like falling asteroids, the movie is at least beautifully presented. It combines epic landscape cinematography with solid, subtle CGI, including lush location shooting in Louisiana's Kisatchie National Forest.


A typically compelling Adam Driver performance also holds it all together. Driver brings a thoughtfulness to his genre character even when the screenplay doesn't, a humanistic approach that grounds the bombastic silliness around him, as he did in three Star Wars films. Despite their characters speaking different languages and her character hailing from the "upper territories" of their home planet, he and Greenblatt share a casual warmth. They demonstrate admirable dedication to the current task.



65 does not break any new ground in filmmaking, upends any rules, or challenges any cliches. However, it is a brief, sharp, and largely original major studio film that is not tied to any franchises or intellectual property at a time when such a concept is in jeopardy. Furthermore, it contains a T-Rex. That is sometimes sufficient.


65 is an old-fashioned disaster B-movie with a well-executed sci-fi premise. It has few surprises, but it does the job, just like Adam Driver's resourceful, compassionate hero. Hollywood, please release more dinosaurs!